“Queens” (Reinas), Switzerland’s representative for the International Feature Oscar, unfolds not in the snow-capped Alps of its native country, but in the lively streets of Peru, narrated through the emotive lens of the Spanish language. Directed and co-written by Klaudia Reynicke, a filmmaker who embarked on her own journey of cultural dislocation from Peru at the tender age of ten, this film serves as both a creative outlet and a means of reconnecting with her heritage. Reynicke, speaking during a panel at Deadline’s prestigious Contenders Film showcase, articulated how her personal journey intertwined with the film’s narrative: “I didn’t think it in a conscious way, but I had a need of going back to Peru and shooting something in Spanish.” This reflection captures the spirit of filmmakers striving to bridge the gap between personal experiences and broader societal themes.
Set against the backdrop of 1992 Peru, a time characterized by social unrest and political upheaval, “Queens” tells the heart-wrenching story of Elena, a devoted single mother, and her two daughters, Lucía and Aurora. As they contemplate leaving their native land, the crux of their dilemma lies in the absence of Carlos, their estranged father, who must provide his signature to facilitate their escape. This pressing need for his approval not only adds a layer of tension but also unravels the complexities of familial relationships caught in the tumult of circumstance. The children, while initially skeptical of their father’s intentions, gradually reveal a vulnerability underscored by the existential questions of belonging and abandonment.
Carlos’s characterization as a “broken man” adds depth to the narrative, as portrayed by actor Gonzalo Molina. His earnest, if misguided, attempts at reconciliation manifest through the term “queens,” a term he uses to elevate his daughters’ status, even as he grapples with the realization of his own inadequacies as a father. The film cleverly juxtaposes his failings with moments of burgeoning affection and connection between him and his daughters, illustrating how love persists even amid strife.
The dynamics between the characters carry the emotional weight of the film. Luana Vega’s portrayal of Aurora highlights the theme of resentment that often accompanies estrangement. As she navigates her feelings toward a father who has been largely absent, her character becomes representative of many individuals wrestling with similar familial fractures. In contrast, Lucía’s relationship with Carlos offers a different perspective on forgiveness and memory, complicating the audience’s understanding of what it means to be a parent and a child. Reynicke’s insightful direction allows viewers to perceive these emotional undercurrents, presenting a family caught between love and loss in a poignant exploration of redemption.
“Queens” has already garnered significant acclaim on the festival circuit, including a Grand Jury Prize at Sundance and the Audience Award at Locarno. Its script, which won Best Screenplay at the Festival de Lima, reflects the nuanced dialogue and character development that resonates with audiences. Reynicke’s ability to create an authentic family experience is bolstered by her cinematic craftsmanship, which considers the technical aspects as vital components of storytelling. As she eloquently noted, the film’s conclusion does not signify a defeat but illustrates the profound complexity of life itself—where love can grow even in the face of impending separation.
The film encapsulates the essence of family, love, and linguistic identity, leading to a subtle but powerful commentary on the immigrant experience. It invites viewers to engage not just with the characters’ journeys but also with their own perceptions of family dynamics and cultural roots. Reynicke’s exploration of these themes demonstrates that cinema not only entertains but serves as a profound medium for reconnection and understanding across cultures.
As “Queens” continues to gather recognition on the international stage, it signals the importance of telling diverse stories that resonate deeply, forging connections beyond borders and backgrounds. This film presents a nuanced reflection of personal history while allowing its audience to explore universal human experiences, making it a noteworthy contender in this year’s awards season.
Leave a Reply